onlinecasino-games.com/free-casino-bonus/

Gem 106′s Amy Voce On How It Feels To Win A Sony

Buy a VW campervan. Travel around South America. Win a Sony award. These were three goals that I set out to achieve at the start of 2013. And one of those goals has been on that list for several years now… That pesky Sony Award..!

For the last eight years, I’ve co-hosted the Gem 106 breakfast show in the East Midlands (previously Heart 106), and for the last couple of years me and my co-presenter Sam have entered the Sonys. Each year, we’ve sat anxiously watching the nominations online, desperately hoping to hear our names. But no joy. Everyone responded to the disappointment cheerily with, ‘there’s always next year’ – but deep down we were gutted each time we missed out.

This year, however, was different. I’d actually forgotten about the nominations. They had been discussed earlier that morning in the office at Gem 106 but we were flat out that day visiting a school and it was only when I left the school and my phone started beeping uncontrollably that I realised I’d had no signal. Surely my last tweet wasn’t that funny?! The first text I saw said ‘Congratulations’ and I was totally confused. Then ‘YOU’RE SONY NOMINATED-BEST BREAKFAST!!!’ flashed up from my boss at Gem 106. I just sat in my car for the next twenty minutes reading messages while it sank in. The response from friends, colleagues and peers was incredible. I felt an enormous sense of pride for everyone on the show and in our team and relief that this year had paid off. Just to be nominated was a privilege.

The glamorous Grosvenor Hotel, where the annual awards are hosted, really does set it up to be a truly magical night – a fact that was instantly highlighted when Jarvis Cocker brushed past me. And we couldn’t believe our table was so close at the front, within metres of Robbie Williams (!) who opened the show.

By this time, self-preservation had well and truly kicked in and I’d convinced myself we weren’t going to win. But I was keen to enjoy the night regardless and was having a wonderful time as the evening unfolded, watching Chris Evans work the stage and our numerous heroes and peers walking up to collect their awards.

Then the second half began and it was time for our category. Champagne wasn’t enough to cool that odd feeling of excitement, dread and nerves rolled into one. With Bronze and Silver options eliminated the tension felt unbearable. We were still in the running. As Duncan James started describing the show as ‘family friendly’ I felt a nudge in my leg from Sam who whispered, ‘I think this is us,’ to which I sternly replied, ‘Stop it!’

Then came the best time I’ve ever heard our own names announced, ‘SAM AND AMY’. I think the video footage sums up how we felt. I could hardly feel my legs!


After that moment everything turned quite surreal. All these people I admired were suddenly approaching us to congratulate and share our excitement. One of the most hilarious moments occurred backstage immediately after. I was a little in shock when this lovely man started calming me down and excitedly saying ‘well done, you’ve won Gold, just breathe!’ It was Sir Chris Hoy. Basically giving me advice on winning Gold. Amazing.

The rest of the evening was a most enjoyable blur.


To win a Sony Gold Award is something I’d always dreamed of achieving in my radio career. I feel immensely proud of the whole Gem 106 team, they’re all genuinely brilliant people to work with and this has just inspired us to work even harder to achieve more. Especially seeing as Christian O’Connell has set the bar now with his tenth gold under his belt. I mean if anything that’s just hogging it!

If I was to give any advice on winning a Sony, I think our judges summed our show up perfectly by saying we had a ‘rare on air chemistry that is warm genuine and honest.’ Sam is one of my closest friends and we share everything. We are the same on air as we are in real life. Everything in our lives goes on air. We put a huge amount of time into planning and are willing to make sacrifices in our lives for the show. For example, one of the ideas – which made it into the entry – was where we completely swapped lives for a week. There was no faking it. Sam went for dinner with my friends and family and I genuinely lived with his wife and looked after his three-year-old daughter.

We also have a far more robust system than ever of collecting and archiving good audio as soon as we’ve done it. It’s a total cliché but never give up. I remember feeling frustrated that our eight years of early morning starts on breakfast hadn’t paid off as I’d hoped and my wonderfully wise 80-year-old Great Uncle simply saying ‘Patience and Perseverance’. He was absolutely right. Now that’s the bit I should have used in my speech!

The moment we won…

Amy Voce is one half of the ‘Sam and Amy’ Breakfast Show on GEM 106. Last month they won the Gold Sony Radio Academy Award for Breakfast Show of the Year (under 10 million).

Producing Audiobooks: Big Names, Books And Burps

Interested in producing audio?  Looking to expand your audio horizons?  Curious as to the difference between making an audiobook and making a radio programme?  Audio producer Julia Hayball introduces us to the weird and wonderful world of the audiobook.

“Could you just take that line again…your Welsh accent was beginning to sound a little Indian and did I hear a stomach rumble?”

It may be a bright, sunny day outside but I’m sat in a darkened studio producing an audiobook with an actress, who’s transporting me back to wartime Cardiff with her mellifluous voice.

Previously seen as only for the partially sighted or for keeping the kids entertained on a car journey, audiobooks are big business with the market worth $1.2 billion for 2013 and many A-list stars signing up to perform them.

Directing an audiobook reader is much like producing a radio presenter– it takes preparation, diplomacy, patience and stamina.

We have to read the book beforehand , to check for pronunciation, which voices to use for a character and where the book is set. I once recorded most of a book before noticing on page 315 a line that said “she whispered in her Geordie accent”.

A producer needs to be able to concentrate for hours at a time, especially if the book is terrible, and have acute hearing to pick up all those script rustles, chair squeaks and stomach noises. Plus, you’re also the tech who’s recording the thing.

For the performer, it’s a case of being able to scan ahead – to have as one actor calls it, “good eye to gob co-ordination”. They are playing every character, in a room the size of a shoe box and you are there to point out when that goes wrong. Do it diplomatically! I learnt years ago that saying a line was “slightly lost” sounded far better than “garbled”.

It’s stamina that’s most important though. A medium sized unabridged novel can take up to 3 days to record. Many first time readers don’t realise how tough it can be. One big name comedian reading his own novel took to twitter after day one, complaining “throat hurts, back hurts, brain hurts”.

I’ve had a reader fall asleep on me, one that was so moved by the words, they started crying and plenty who swear out of pure frustration. And then there’s the burps. Reading for long periods of time seems to produce a lot of wind!

Julia Hayball is a freelance audio producer and radio trainer. She’s currently working on a radio documentary for BBC 5live.

Happy International Women’s Day!

And what better way to celebrate than by helping Sound Women raise much needed funds for our training events, workshops and schemes…

We’re not asking to you run a marathon or break broadcasting records on air (although if you’re offering…). But we would LOVE you to help us publicise some incredible, money-can’t-buy prizes that we’re about to auction off!

Ever wanted to be introduced to Neil Fox or grab an early morning cuppa with the Kiss Breakfast team? Perhaps you’ve always wanted to catch up with Magic’s Angie Greaves and ask her about her Drive Time show? Or is your inner rocker bursting to meet Alex Baker and Kate Lawler at Kerrang! Radio? Well we’ve rounded up this motley crew for a series of intimate meet and greets, just for you.

Or maybe you know someone who loves Man Utd or Man City AND Key 103? Tell them about this ultimate Key 103 experience…

Arsenal fan in the house who worships Ian Wright? They need this signed Absolute Radio football in their lives!

There are many, many more EXCLUSIVE radio experiences, perfect presents, and even a slice of women’s broadcasting history up for grabs.

So please, spread the word, tell all your friends, relatives and colleagues, and check out our Ebay Auction on International Women’s Day.

Here’s what you could win:

The Sound Women Ebay Auction

Want To Press Radio’s Buttons?

By Ann Charles

Work in radio as a producer?  Addicted to your smartphone?  Always trying to solve a problem?  Do you mend stuff on air?  Are you secretly (shh) a techy geek?  If so, then some exciting news: The Radio Academy is launching the Radio Technology Masterclass and we’d like you to join us.

We all love radio, but there aren’t many opportunities to learn about the technical and engineering parts of the job.  This is a shame, as knowing how the tech works can change the way you create radio – for the better.  And broadcast engineers are some of the most creative people you’ll ever work with (plus they have the best biscuits).

The Radio Technology Masterclass is being run by a team of the best engineering and technical talent in the UK, with representatives from all the major radio groups.  It’s a day of workshops that will show you how radio works behind the scenes.  The aim is to give you a whistle-stop introduction to radio engineering in a way that’s fun, interactive and involves no sums (not that sums aren’t cool, but…).  By the end of the day you’ll have insider information on how to build a studio, had an overview of how programmes make their way from studio to transmitter and had practical, hands-on experience of plugging equipment together and thinking like an engineer.  We mean it about the hands-on stuff – you won’t be sitting down and falling asleep in a lecture hall; we want you to know how to actually do this stuff (and show you that it’s not that hard!)

Although this day is ideal if you are starting out in a technical capacity at a radio station, you don’t have to be a broadcast engineer to attend.  Production staff and those working in other areas of engineering such as IT are also welcome!  We are assuming that participants have some knowledge of radio but that’s about it – treat this as an amazing opportunity to make contacts as well as try out a new career angle for the day.

Two SoundWomen volunteers are part of the TechCon / Radio Technology Masterclass organising committee and we are very keen to make sure that lots of SW members attend the event.  If you are curious, like solving problems and enjoy working under pressure then you’ve got what it takes to be a radio engineer.  So don’t hide your natural talents away – come to the Radio Technology Masterclass to find out how you can turn your passion for radio into a profitable career*.

Best of all?  Thanks to the lovely people at the BBC Academy and Skillset, the day is free to attend.  Registration opens at 10am on the 20th February and is strictly first come, first served.  So get your mouse fingers at the ready and I’ll see you on the 25th March!

The Radio Academy Radio Technology Masterclass is taking place at BBC White City during the daytime / early evening of the 25th March 2013.  It is free to attend.  You can register for the event from 10am on the 20th February by going to The Radio Academy website www.radioacademy.org

Ann Charles is a technical Project Manager for the BBC who fell into engineering after seven years as a radio and online producer.  Part of her role involves explaining to producers that engineers are cool and to engineers that producers are awesome.  Named as a Radio Academy 30 under 30 in 2012, she’s on the main TechCon committee for 2013.  Sick of being the only person with breasts at technical conferences, her goal for this year’s event is to make sure enough women attend that there’s a queue for the ladies’ loos…

*Profitable career not guaranteed.  But there will be lots of tea.  And possibly some biscuits.

Expert Women hit the BBC Academy

by Natasha Maw, Programme Manager, Radio, BBC Academy

On Friday 18th January, the BBC Academy hosted a day of taster sessions for 30 female specialists to try their hand at TV and radio. It felt a long time overdue. Apart from the rumpus that had been going on in the media about the lack of women experts on TV and radio, particularly in current affairs, I knew from my days as a radio producer that there was an issue around confidence and women putting themselves forward as experts to appear on air.

My last job at Radio 4 had been as a producer on ‘In Our Time’, a programme built on the brilliance of the three academics who appear on it, and we always had an unwritten rule that we would aim  to get at least one female specialist amongst those three.  Sometimes we got two and occasionally we got three, but more often I would have to persuade a female academic that she was indeed the expert of choice and that she would indeed be good enough to take part in a live radio discussion.

When I scanned through the biogs of the 30 women out of 2,000 who had been selected for Expert Women day, I was overwhelmed by the range and depth of expertise.  Amongst them were a theoretical physicist, volcanologist, molecular biologist, architectural historian, psychiatrist, addiction specialist, business consultant, space scientist, maritime archaeologist and renaissance historian. Oh and also Professor Frances Ashcroft, the woman who had done ground-breaking research on tackling diabetes.

I decided that a good way to draw out the collective depth of this knowledge was to run a series of mock ‘Start the Week’ style discussions where these formidable women would get an opportunity to demonstrate their knowledge and have a go at a group discussion around more general themes.  I enlisted my former colleague Liz Barclay as presenter and another colleague Alex Dalton to co-produce.

What became apparent as the day went on was firstly that all these women were good enough to go on air.  In fact, most of them were probably good enough to present a programme in their own right.  But, there was also the unusual experience of listening to a fascinating discussion between four female experts with a female presenter.  How often does that happen on radio?  There was also a weird dynamic going on in the studio.  Without any prompting from us, these experts were looking for threads and connections between their work.  So a Middle Eastern specialist and a mechanical engineer branched off into a discussion about carbon management and a classicist and an architect talked about the effect of personal identity that a city bestows.  Nobody was trying to compete for airtime or for the superiority of their specialism over another.  Of course this doesn’t mean that male experts won’t listen to each other on live radio.  But it struck me that so often we put up contributors in adversarial roles, particularly in current affairs and, like the way our political system is structured, this puts women off.

The great thing is that since that week in January, some of these women have already be commissioned and booked to appear on TV and radio. And on a collective high at having seen some of the best brains in action, we have decided to run another Expert Women Day on March 12th.

For more information about the BBC Academy please visit their website: www.bbc.co.uk/academy

Alice Arnold – ‘I care deeply about women having a voice in the media’

Walking out of Broadcasting House at 1.00am on December 29th was one of the hardest things I have ever done. It was the finale of over twenty years of announcing and news reading for Radio 4 and I would be lying if I said I wasn’t emotional and sad about it.

Working as an announcer, however, is very restrictive. For twenty years I had used my ‘voice’ on the airwaves but I didn’t really have a ‘voice’. I always described my job as ‘reading out loud’. There was, of course, a lot more to it than that, but by and large they were not my words. I was not able to have an opinion either at work or outside it.

The mini media storm that emerged after an interview I gave to The Evening Standard was a surprise though. True, I did say that I didn’t think there were enough women on the Today programme. However, I did not leave because of that and I have defended Radio 4 for being better than any other network I can think of in their representation of women.

So what now? I care deeply about women having a voice in the media. Not just what we say but how we say it. I do think many women fear or dislike the sound of their own voice. They are criticised for being shrill and hard to listen to. My theory is that most of this is conditioning, but women who may be less used to broadcasting are understandably less confident and this can affect the voice… both in its tone and in how well we put our arguments.

One of my missions is to find ways to help women with this. To use my experience to train and advise women on using their voices – and to use my own.

I look forward to seeing you and more importantly hearing you out there.